Showing posts with label new horizons. Show all posts
Showing posts with label new horizons. Show all posts

Tuesday, November 18, 2014

November 18: Changes


There are changes afoot.

Months ago, freshly returned from my Nova Scotia vacation, I applied for a job in Halifax. A good job. A good job with good people, in one of my favourite parts of the world.

And then life got busy, as it does in September, and things kept rolling and the weeks went by, and it was a bit of a surprise when I was asked in for an interview. (!) And then a second interview. (!!) And then I received a job offer. (!!!) Which I accepted. 

In less than a month, I'll be moving to Halifax.

(!!!!)

It has all happened so quickly that I find myself a bit bamboozled. I've ticked a lot off my to-do list but there's still so much to be done—so many papers to mark, boxes to pack, friends to see, and last visits to favourite places before I get on that plane heading east. 

So that's where I've been, and where I'm going. I'm pretty excited to be heading back to Nova Scotia—a move I've been planning for almost as long as I've lived in Toronto. (Sorry Toronto: you're just not my type.) I can't wait to be close to the ocean again.

All this means my crafting has slowed down considerably—I've been knitting a stitch here or there when I can fit it in, but my mind is elsewhere. In fact, I'm thinking a lot about the crafty adventures that await: I'm looking forward to taking a class at Patch Halifax, and I just discovered this rug-hooking shop in Amherst. My new apartment will have room for a spinning wheel, so there's surely a trip to Gaspereau Valley Fibres in my future, too. Hooray!

Now if I can just figure out how to trick my Toronto friends into some of the bigger moving boxes I've got lying around, I'll be all set...

Sunday, June 23, 2013

A challenge named Moosie (in which I try spinning, again)

One of the best souvenirs that I brought home from Squam was a challenge. The challenges – to meet new people, to learn new things – are the reason that I go to camp, but I wasn't really expecting one of them to come home with me. And I certainly wasn't expecting it to look like this.


"This" is a Moosie Spindle from Journey Wheel. It's a beautiful object, with a whorl made of moose antler and a shaft made of of bloodwood. Depending on your perspective, this tool could look antiquated and unnecessary, or it could look beautiful – part ancient tool, part work of art. To me, it's beautiful. 

Beautiful, but challenging. I've tried to learn to spin before, two or three years ago, but I never made much progress. Imagine getting into the driver's seat for the first time, but the car is a standard transmission and you're stopped at the front of a line of cars, headed uphill, in rush hour. That's how it felt at the time. Too many moving parts; too many ways to go wrong. 

But really, all I had to control was this: a learner's spindle made of dowelling, scrap wood and a cup hook, and some fleece. And my expectations.


I took a class, I bought a book, I watched a YouTube video or two, and I muddled along. It was winter, and I would sit down after dinner and attempt to spin while I listened to the evening news. It was difficult, and each night I'd look at the uneven mess I'd created and be disappointed in myself. After a couple weeks, I stashed the spindle and the bag of fibre away so I wouldn't have to look at them.

Back from Squam with my Moosie in hand, I thought I'd better give spinning another go. To let a beautiful tool like that sit idly by in a pencil jar, a curiosity for guests and a toy for curious kids? It wouldn't do. So, wary of ruining my new tool with my clumsy fingers and my inelegant yarn, I got out my "training" spindle and tried again.

I couldn't believe it. It worked!


It was slow going, but it worked. This time, I pre-drafted the fibre into a shape that was manageable, so I didn't have to wrangle a huge chunk of fleece while also handling the spindle. I used the park-and-draft method that's common for beginning spinners: spinning the spindle to add twist to the leader, then clamping the spindle between my knees and gradually letting the twist play out into the fibre, inch by inch, between my hands. Once I had eighteen inches or so spun, I'd wind the yarn onto the cop, and then start again. 

Soon enough, I'd amassed a fairly respectable amount of yarn.


I kept going until I couldn't spin the spindle properly anymore, and then I had to decide what to do with it. I don't possess any other spinning tools: no niddy-noddy, no bobbins, and certainly nothing in the way of plying know-how. But I couldn't let the yarn just sit on the spindle.

In the end, I wound the yarn around a piece of foam core (what would I do without foam core?) then tied it off in a couple places. I followed the directions in the book: a hot soak and a cool rinse to set the twist, and then hanging the skein, weighted, over the bathtub, to dry overnight.

The next morning I popped it onto my swift to finish drying.


And finally, I wound the skein into a hank. There's not much there, really: just 27 grams of single-ply, worsted spun (I think), Blue-Faced Leicester yarn. It's thick-and-thin, knobbly, with lots of twist, and – in this humid summer air – it still smells strongly of sheep. 


 And I love it.

Friday, February 1, 2013

Above all, write.

I started writing my third novel on the first of July. I needed a challenge; something to take my mind off an increasingly stressful work situation, to fill those early morning hours on days when the sun woke me up hours before I had to be out of the house, to fill the void my fingers felt because the hot weather meant I wasn't knitting as much.


I didn't know if I could finish it – after all, it was my third, and I hadn't finished the first two. But I'd approached those projects casually, without a plan. This time, conditioned by years of planning magazines with spreadsheets and work-backs, primed by a year in which I'd decided to knit a sweater a month, working methodically and with great focus and many checklists...this time, I was serious.

So I consulted books and websites. I looked at calendars. I drew up meal plans. I re-read Bird by Bird. I cut activities out of my social calendar and set the alarm to go off even earlier. I wrote an outline.

Soon my desk was overtaken by piles of index cards and stacks of computer print-outs. I jotted key plot points on fluorescent post-it notes, then stuck them to the wall over my desk. I stayed up late. I got up early. I bored my friends, talking about "my book." They were very gracious.


Like many of the writers I know, I am best motivated by deadlines, so when I found out about the CWA Debut Dagger contest, with its hard-and-fast submission date, I was pleased. I set my sights on February 2nd and kept writing. I passed ten thousand words, then twenty-five thousand. I kept going. At some point, I stopped using quotation marks when I talked about my book. Fifty thousand words and the summer was waning, the days getting shorter and the evenings cooler. Soon I was wearing a cardigan as I typed. Fifty-five thousand words and Labour Day was a distant memory.

I had hoped that the more I wrote, the easier it would be, but that isn't the case. It doesn't seem to matter how many thousand words you've already committed to paper; the next thousand are just as much work. But the momentum builds, and it becomes more difficult to stop. I was tired by the time I got to sixty thousand, and slowing down at sixty-two thousand, but I pushed on. Fall arrived, and with it, added uncertainty about my work situation. Leaves were falling. Would there be layoffs when the new boss arrived? I kept typing. I wasn't going to waste all that work. I told anyone who would listen that if I was let go, I'd take the time to write.


I finished my book – all 73,000 words of it – at the end of October, and the next day I flew to New Zealand. I came home. The layoffs began; two of my friends there in the morning, gone by lunch. I gritted my teeth, turned up my music, took Advil for the headache that had become my constant companion, and worked. Each night after dinner, I worked on fine-tuning my contest entry – all they needed was the first chapter, so following the advice of my generous friends, my gentle first readers, I trimmed and tucked and trimmed some more until 6,000 words had become 3,000. The new boss arrived. Christmas came and went, then New Year's. The week-long vacation was too short. I went back to work.

On January 15th, I lost my job.

The next two weeks were a flurry of emails and phone calls, lunch dates and drinks nights. I knitted. I watched a lot of Doctor Who. The weather was good, and then bad, and then terrible. I cleaned out my desk. I signed papers. I mourned the loss of my daily routine and a job I'd once loved. I was sustained by my family and my office mates – many of whom I'm proud to call my friends. I read books – entire books – for the first time in ages. I knitted more. I baked. But I didn't write.

This Tuesday I woke up with the heaviness of an impending deadline sitting on my chest. February 2nd was days away and I hadn't looked at my contest entry in weeks. I remembered the brave, fool-hardy declarations I'd been making all summer, the promises that I'd take the time my severance package bought me and use it as time to write. I finally sat back down at my desk, and looked once more at the index card I taped to my wall so many months ago.


I uploaded my file and clicked "submit" a few hours ago. I won't know the result for weeks; just one more uncertainty to add to the list of mysteries about what 2013 holds for me. But I know that tomorrow I'll get up, and make a cup of tea, and sit down at the computer once again. I'm only a couple thousand words into the sequel, and the next two thousand will be just as much work as the first, but I'm not going to waste the effort I've put in. I'm not going to waste the time I've been given.

Monday, January 21, 2013

Starting anew

I've been thinking about endings and beginnings this week for a variety of reasons, including a bit of casting off and on again that I've been doing.


The first Fiddlehead Mitten, for all its apparent complexity, was a quick, satisfying knit, and the second of the pair will be too. Good thing – we're headed into a good old-fashioned cold snap this week, and super-warm mittens will be essential.


This sock, on the other hand, has been my travelling companion for months. I imagine I'll be spending an equally long time with the sequel.

Make something good, beautiful and true, and when you're finished, begin again. Not a bad motto, when you think about it.